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bananaleaves:

keptyn:

get to know me meme: [1/5] favorite female characters

"It’s not obedience, Mr. Beckett; it’s respect." - Mako Mori

         

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notamorningbird:

lillian-raven:

hungrylikethewolfie:

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pagangirl:

emegustart:

latining:

emegustart:

chenisthebestkitty:

emegustart:

This is supposed to happen the first time Persephone is back to the Underworld….so I went and made a sequel for a comic that hasn’t even happened yet. Wibbly wobbly timey wimey….

Did I regret anything? No. No I don’t. 

on deviantart

._.

He kidnapped her

Against her will

Thanks fo her father after her father raped her

She starved herself to get out of his place

twhere do people read romance into this, where??ßß1ßewkofp *flops over*

Thanks for continue to focus on the kidnapping part which is not the point of this myth. 

Life and Death, the balance between them and the changes they cause, and the origin and meaning of the seasons cycle, on the other hand, are the real points. 

Thanks for also persisting in the idea of Persephone as a passive figure. Kidnapped, raped, silenced, with no saying or power over anything (except for maybe starved herself because there are so many different versions of this myth that it’s difficult to keep track of them, did you know that apparently there is a version where she and Hades plot together?)

Thanks for also forgetting that she’s a goddess on her own and becomes Queen and Hades’ equal and actually they’re most stable marriages in the myths. 

Thank you, you’ve enriched this post by telling me things I already know but I don’t care about. (◡‿◡✿)

Reblogging for the bitchin’ commentary and also to add that if anyone wants to read the most current (and IMO accurate) studies on Greek mythology and women’s lives, Women in Greek Myth by Dr. Mary Lefkowitz is invaluable (and incredibly inexpensive for an academic book).

The confusion comes from “Zeus” which is almost a title for a supreme god (think of the way “Caesar” was used). So you have Heavenly Zeus and Infernal Zeus, and they are not the same god but rather the supreme ruler of the sky and underworld, respectively. Likewise Persephone became known as “Infernal Hera” and this naming scheme persisted well into the Roman Empire, where Pluto and Proserpina are referred to as “Infernal Juno” and “Jupiter of Dis” in Book 6 of the Aeneid as well as on many grave monuments and in spells.

Moreover, gods don’t need to eat. Persephone refusing to eat was her refusing to become a part of the Underworld, not her attempting to starve herself. The gods are defined as being deathless, and in Ancient Greek “deathless” is synonymous with “god”. (Cf. Theogony, Works and Days, any of the Homeric Hymns, etc.) The Homeric Hymn to Demeter is really clear about this. (HH 2 370-4, 393-403.)

The marriage of Persephone and Hades is actually the most loving and consensual union among the Olympian deities. Hades first offers a dowry designed specifically to please Persephone (HH 2 10-14.), then carries her off and keeps her as a guest of honour in his house. (HH 2 341-345) Persephone is referred to as αἰδοίῃ παρακοίτι - his reverent wife. “Reverent” here refers to a respect for one’s duty, and the similarity between the pronunciation of αἰδοῖος an “Hades” is deliberate and intended to show how well-matched they are. Persephone misses her mother, yes, but is not overly upset about her marriage to Hades. Even Anchises expresses more regret over his union with Aphrodite. (HH 5 185-190.) Finally, as a proper parent, Demeter is rewarded for giving up her daughter, and offers a gift to the other gods in turn. (HH 2 441-495.)

It is worth noting that Demeter is given a position of remarkable power in this myth and is in many ways treated as or better than a father would be. The focus of the hymn remains the relationship between mother and daughter, and emphasises that it is a bond that can endure even after a woman leaves to marry. More importantly, the Homeric Hymn to Demeter is an etiological myth for the Thesmophoria and the Eleusinian Mysteries, a woman-only festival and the most enduring mystery cult of the ancient world. HH 2 serves to anchor women firmly in religious and family life and sets some fairly idealised standards for husbands. Many issues arise when attempting to interpret this myth into a modern context, which is why it is so important to understand that the myth was created over three thousand years ago and is largely a historical document reflecting the mores of the time.

This is the last time I’m reblogging this strip. I edited the original post because I’m really tired of this discussion, but latining’s comment is just perfect and flawless and really educating and everyone interested in this myth should read it. 

THIS IS FUCKING BEAUTIFUL AND IM SO GLAD THAT MY BOYFRIEND REBLOGGED IT FOR ME TO SEE AND TO READ THE COMMENTS OMFG

Also like to point out that Hades and Persephone were one of, if not the, most faithful divine couples in Greek mythology. 

Compare that to Zeus, who slept with anything that moved.

This comic is beautiful and adorable, and the commentary is (if you’ll pardon the pun) divine.  A++, FAVORITE MYTHOLOGICAL COUPLE, WOULD FALL IN LOVE WITH THEM AGAIN.

Beautiful commentary. God, I love mythology. 

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Filed under greek mythology mythology comics

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gommidy:

Tire Sculptures by Yong Ho Ji - Parte II

Korean artist’s Yong Ho Ji art is all about recycling tires . He uses tire strips and synthetic resins to create these unique sculptures. His collection gathers sculptures and busts of usual animals and also hybrid animals and humans.

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building-an-unstoppable-fist:

archiemcphee:

As part of a tour put on by an organization called The Mystical Arts of Tibet, a group of Tibetan Buddhist monks from the Drepung Loseling Monastery in India recently visited the Crow Collection of Asian Art in Dallas, Texas. They were there for a weeklong residency during which they constructed this magnificent Tantric Buddhist mandala sandpainting.

The monks will spend up to eight hours a day working together on one of their sandpaintings. The process starts with an opening ceremony and the consecration of work site.

Each work begins as a drawing, the outline of the mandala. Then, colored sand is poured from traditional metal funnels called chak-purs. Each monk holds a chak-pur in one hand, while running a metal rod on its grated surface; the vibration causes the sands to flow like liquid.

Once the sandpainting has been completed it is ceremoniously destroyed using a ritual vajra.

"The sands are swept up and placed in an urn; to fulfill the function of healing, half is distributed to the audience at the closing ceremony, while the remainder is carried to a nearby body of water, where it is deposited. The waters then carry the healing blessing to the ocean, and from there it spreads throughout the world for planetary healing."

Click here to learn more about The Mystical Arts of Tibet

[via My Modern Metropolis]

They did this at my school actually. It was pretty cool.

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Filed under they did it at my school too it was fun